Our IMAGES (II) - Images of the Poor: The Conference Proceedings will be available at bookshops by mid June 2013
price: Euro 29, 90
cover photo by veronika bernard
Table of contents
Editors’ Note
Veronika Bernard (Innsbruck and Kufstein/ Austria) and Serhan Oksay (Istanbul/ Turkey): The IMAGES Project
Veronika Bernard (Innsbruck and Kufstein/ Austria) and Serhan Oksay (Istanbul/ Turkey): Introduction
Serhan Oksay (Istanbul/ Turkey): Poor of the Faerie Land
Diğdem Sezen (Istanbul/ Turkey): Playing with Problems. How Game Play Can Make us Understand Community Problems and Help us to Solve them
Tonguç İbrahim Sezen (Istanbul/ Turkey): The Representations of Poverty in Digital Games
Savo Fouad Karam (Zouk Mosbeh/ Lebanon): Ameen Fares Rihani’s Perception of the Rich and the Poor
Naji Oueijan (Zouk Mosbeh/ Lebanon): Categorization of Rich and Poor
Bann Haweel (Zouk Mosbeh/ Lebanon): Rich and Poor: Borderlines or Meeting Points?
Rita Bou Khalil (Zouk Mosbeh/ Lebanon): The Conquered and the Conqueror
Sabiha Göloğlu (Istanbul/ Turkey) and William James Harper (Istanbul/ Turkey): Images of the Poor in the Surname-i Hümayun (Imperial Festival Book) of 1582
Elisabeth Kapferer (Salzburg/ Austria): Imaging Processes – Pictures of the Poor in Our Minds
Z. Nilüfer Nahya (Istanbul/ Turkey): The Images of Poverty and the Poor in Somalia in the Context of the Aid Campaign in Turkey
Jakub Kościółek (Cracow/ Poland): Africa – the Land of Poverty. The Media’s Distorted View on the Continent
Cangül Örnek (Istanbul/ Turkey): The Thin Social Vein in the New Turkish Cinema: The Urban Poor in Tayfun Pirselimoğlu Films
Elżbieta Wiącek (Cracow/ Poland): Poverty – Spécialité de la Maison of Polish Cinema? Strategies and Ideology in the Representation of the Economic Crises in the Films of Polish Directors after the Democratic Transition (1989) until Present
Veronika Bernard (Innsbruck/ Austria): Images of the Poor in Slumdog Millionaire – Stabilizing the Status Quo by Attributing an Aesthetic Quality to Images of the Poor?
Gönül Bakay (Istanbul/ Turkey): Poverty and Crime: The Case of Moll Flanders
Hatice Övgü Tüzün (Istanbul/ Turkey): The Rich and the Poor: Class Dynamics in Wilkie Collins’ The Moonstone
Franziska Jekel (Berlin/ Germany) and Nina Peter (Berlin/ Germany and Bern/ Switzerland): ‘Seeing (the) Eyes of the Other’. Images of the Poor in Charles Baudelaire’s Le Spleen de Paris and Frank McCourt’s Angela’s Ashes
Sinan Dinçer (Leiden/ The Netherlands): ‘Not Made to Rule, but to Subserve’ – Western Perception of the Ottoman Urban Laborers
Vanessa Mouawad (Zouk Mosbeh/ Lebanon): Juhan and Freedom as Wealth
Editors’ Bios
Contributors’ Bios